Comments
Kublai Khan
This is such a weird/cool curiosity. The plot is single-line simple, the hero characters are pretty one-dimensional and make horrible decisions, and the artistic choices are bizarre.
But it works.
It just captures that "it" factor. It's just perfectly filmed in a way that a group of super-serious gang members in facepaint are treated seriously in a way that doesn't come off as ridiculous. Instead it's just an ethereal sort of night where yeah, things like that happen. Deal with it and move on.
I do wonder how much better it would be without the romantic subplot and the "we're different than rich kids" soft messaging.
But it works.
It just captures that "it" factor. It's just perfectly filmed in a way that a group of super-serious gang members in facepaint are treated seriously in a way that doesn't come off as ridiculous. Instead it's just an ethereal sort of night where yeah, things like that happen. Deal with it and move on.
I do wonder how much better it would be without the romantic subplot and the "we're different than rich kids" soft messaging.
Zeltaebar
A well-crafted piece of moviemaking with great sound, atmosphere, cinematography, costume design and surprisingly well acted by a group of unknowns. I really liked the artistic comic book-style transitions and the raw energy in the fight scenes. In some ways a time capsule of New York at a time when it was ravaged by street gangs and crime, but in other ways it creates a universe all its own.
Mercator
The line to quote is obvious:
Waaaarriors, come out to plaa-aay!
Waaaarriors, come out to plaa-aay!
In 8 official lists
AT #104
